Hazel bloom — A Closer Reading

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Aldrich, Julia Carter, 1834-1924 Project Gutenberg 2025 Not confirmed
American poetry -- 19th century Readers of public-domain and historical texts
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Words 27,056
Reading time 118 min
Text sections 89

Hazel bloom — A Closer Reading can be approached with a clearer sense of reading commitment from its source measurements: 27,056 words, 1 hr 58 min estimated reading time, and 89 detected text sections.

The text analysis averages about 28.3 words per sentence, while the detected sections provide another way to judge how the source is divided.

Project Gutenberg metadata also associates the work with “American poetry -- 19th century,” connecting these edition facts with the source record’s subject description.

This 1899 poetry collection by Julia Carter Aldrich (writing as Petresia Peters) uses precise natural imagery and domestic scenes to explore motherhood, memory, and spiritual longing. The poems balance formal verse with intimate, conversational moments.
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efrain— “’Tis wisdom that mingles the sorrow and pain. The sunlight, that gilds, with its glory the earth, Would blight with its blaze, but for clouds and the rain, And lives would be arid and smitten with dearth If beamed on forever with joy and mirth— _In blessing I weave in the sorrow and pain_.”

When meadows are strewn with the buttercup’s gold, There’s gladness for childhood that song never told; The laugh of a child, bubbling up from the heart, Is linked with the spring, a most beautiful part.

A bevy of children—sweet far away dream!— They trip o’er the sward, lit with dandelion gleam— We’ll join in their sports with a heartiness true; Our own vanished springtime, with them, we’ll renew.

The woods, (that are reached by a romp thro’ the lane Where the grass is made velvet by sunshine and rain) Have infinite beauty, in blossom outspread— Delights for the gods in the fragrance they shed.

Come, drink in the perfume of blossoming trees— Take lessons of patience from murmuring bees, And listen to brooklets—they’ll sing you a song As, wild in their glee, they go leaping along.

Come, watch the wild birds as they cheerily dart— Their music, with sunshine, take into your heart— Let the gladness of childhood thrill you, and be gay, Thus keeping your soul in perpetual May.

When Nature is robing her forests anew, And heaven spreads over her loveliest blue— When earth is aglow with spring’s ravishing bloom, Ingratitude only sits shrouded in gloom.

When Somnus is giddy and flies from my pillow, And care’s elfin throngs come to vex me— When mem’ry, perverse, all the sweet things forgetting, Will mention but those that perplex me, I ask that monotony’s rigid insistence Shall drive out the gibberous crew; They flee from his presence—will hie back to elfland, Where their Night shade and astrofell grew—

Ask thought for a theme that’s subduing in power— The sea, with its billows all hushed to a calm— Not mantled with darkness, but lit with the sunset, When Day, unto Evening, is chanting her psalm. All life’s petty griefs in the grandeur evanish, The spirit is freed from its thrall, And unto the faint heart a trustfulnesss whispers, “Be brave—there’s a God over all.”

In fancy I launch on the shimmering sea That’s lighting with glory its waters for me; Like a sprite of the ocean the boat seems to glide, As lightly the oars dip the opaline tide, Till out in expanses, afar from the shore, Away from life’s din and tumultuous roar Where, gently I’m rocked on the breast of the deep, While symphonic waves woo the Lethe of Sleep. A broad, shining pathway is westward unrolled— I watch the bright wavelets, with tresses of gold, Run out in wild play to the visual rim Where the sky bends to kiss them in distance so dim, Till thought is enchanted—anxiety flees, And weariness slips into somnolent ease; The silences seem to have rhythmical beat— ’Tis footfalls of wakefulness, now in retreat. Forgetfulness softly creeps into the mind, Suspecting no trace of resistance to find, But wakefulness turns back, commands and forbids— Yet, Slumber steals past her and touches the lids; Then Morpheus bears me away in his arms To his realm that’s swept of all fears and alarms Where, lulled with his stupors, of poppy and rose, I dreamily, dreamily sink to repose.

When evening falls softly, with far away dreaming, Oft steals o’er my spirit a rapturous seeming— I feel the light touch of her hand as of old, When bending above me with good night caresses, She lovingly pushed back the long heavy tresses, And smoothed out the tangles of gold.

Touch memory’s harp in the silence of even, And loved ones will leave e’en the raptures of heaven, And come to us then when the gates are ajar: With mother’s face, ever most central and tender, They light all the Past with a rosy-hued splendor And the soul’s secret chamber’s unbar.

From hidden recesses they bring out its treasures— Among them are shining youth’s dream-lighted pleasures, When mother-love blent with, and hallowed them all; The haunts that the years with their sunsets have gilded, The castles of beauty that child-fancy builded, All come in the gloaming at memory’s call.

’Twas down by the river, where bluebells were sweetest And swift-footed hours forever ran fleetest, Enthralled by the charm, that I loved most to roam— To watch where the sunshine and ripple wove wimples, Like smiles, on a rosy face, dancing with dimples, Forgetful of duty till mother called home.

Right-angled with the river-bank’s water-worn ledges The forest and farm knit their raveled-out edges, In a brambled rail-fence. From the pasture’s green field, Thro’ the edge of the woodland, a path, fringed with mosses And bushy green tangles with clematis flosses, Half the charms of the deep wood revealed.

When sunset was tinting each shadowy hollow ’Twas gladness, the kine, from the pasture, to follow And dream, as I wandered, of fairy and gnome— To loiter ’mong ferns, with great trees spreading over, And breathe the perfume of wild roses and clover Enrapt, until mother called home.

I’m lingering now on the banks of the River— The sunset of Time on its ripples a-quiver— How peaceful the flowing—no turmoil or foam— A luminous mist o’er the landscape is falling— The evening has come, I hear a voice calling,— ’Tis mother’s voice calling me home.

One long day of toil was ending, And my head was hot with pain When a thought, akin to envy, Racing thro’ my throbbing brain, Muttered to my fevered fancy “Only wealth has power to please— Rocking in the lap of riches Life were fair as summer seas.”

Wealth for me would bridge the ocean, Open Europe’s storied lore, Rome and Greece, with art and beauty, Each would open wide her door; These my hungering soul had longed for— Oft they seemed within my clasp, But like gold beneath the rainbow They escaped my eager grasp.

How I spurned the homely hangings That in poverty were wrought, E’en the couch, whose dingy plushings Now in weariness I sought. “Common things,” I said, repining, “Ne’er for me can blessing hold”; But the Sun, just then declining, Flooded all with molten gold.

And a benison, descending On the wings of closing day, Soothed and hushed my wild complaining— Drove the evil sprite away— Brought before me _my_ possessions, Richest in the long array, Wealth of home, where all my dear ones Make it bright with love, alway.

Lightly drooped the shining fringes Of the evening’s twilight hour, While the playful, roving zephyr Gently kissed each folding flower; Softly gliding into dreamland On the sunset’s gilded car, Soon for me, his golden splendor Wrapped all objects, near and far.

In his grand effulgent shimmer “Common things,” grew strangely bright; And my home became a palace All resplendent in the light; E’en the russet garb of labor, If unstained by deed of shame, There outshone imperial purple, With its throne and titled name.

Sweeter than the grand exotics, Were my lillies, pure and white— All was beauty—all about me Whispered to me—“Life is bright,” And its sweetest flowers are blooming In the toil-worn paths of earth, And its purest gems will sparkle On the brow of honest worth.

Diamonds, oft, are but the tear-drops Avarice wrings from orphaned trust, And his gorgeous, gilded trappings Steal their hues from hearts he’s crushed. More I saw in raptured dreaming— Seraphs holding crowns of gold, Beckoning up the shining pathway Where the gates of Rest unfold.

Some whose wealth did bow them earthward Sought for this to enter in, Others, wearing robes of priesthood, Thought that these absolved from sin; But no easier passed the portal, Those in purple, cowl, or gown;— He who bore life’s burden’s bravely, Won the race and wore the crown.

Then a touch of dimpled fingers Woke my heart with mother-joy— Golden head upon my bosom— Tired, sleepy, baby boy Poured a wealth of love and kisses On the lips that had complained. He (sweet angel!—God had sent him) Quick the demon, Envy, chained.

Not all we name as friends, the soul receives as such, Nor ever those whose lip-born love weaves smoothest claim; Those only who, to ours, give genial spirit touch Can light that hidden shrine with friendship’s holy flame. ’Tis by this sign the friends God made for us are known; Dear ones! We count their names as precious gems which lie Within the hearts most sacred place—its very own— A circlet bright that’s bound by sympathy’s silken tie.

There’s still another bond for which no word is found— A gift of His, so high the minds extremest reach Doth fail to find it name, or ontologic bound, Tho’ undefined—beyond the subtlest grasp of speech, This wondrous, unseen realm, to spirit sense, remains, And o’er its lines the soul, to kindred soul, conveys Joy’s glad, exultant flash, or sorrow’s woeful pains, Which, thro’ this gift divine, love’s tenderness allays.

’Tis sweet in twilight’s hush, when noisy day has fled And evening’s azure glows with beauty’s single star— When roses, gemmed with dew, their richest fragrance shed, To feel the silence thrill with signals from afar Feel the thought-lines warmly pulsing with a message from OUR OWN— To know the call of dear ones, as we know the breath of flowers, And catch love’s fond impulsion, thro’ this mystic Psychephone, Trembling on the stillness of the dreamy, evening hours. Thro’ distance, o’er these subtile, sentient threads of mind, We feel, by finest sense, our answering heart-beats throb Till every fluttering, white-winged joy doth find Response, and every grief a sympathetic sob. O, blessed bond! It links us to the Life Divine! Thro’ this our prayers may reach the holy Fount of Love— The league of kinship which these spirit cords entwine, By fervent sway of soul, is felt in realms above.

Mine open enemy hath no power to wound— His poison shafts fall hurtless to the ground; He may wreak a treach’rous lynx-like deed And yet will never cause my heart to bleed. If he should glare on me in hottest hate, With tiger fierceness, plan the direst fate, With claws distended, lusting for the roon, I’d smile and do him kindness over soon, Or, give a sure nepenthe for his wrath By silent, strewing favors in his path.

But when those to whom my heart is bound in trust, With aim concealed, make unexpected thrust,— When those I’d counted friends, as friends had served, Whose joy and weal my strongest effort nerved— If THEY shall stab and gaze with hungry eyes To catch my wince of pain, ’neath friendship’s guise, Then, a wound is made, that all the quivering senses feel— A wound, that only trusted friends could deal; And, saddest hurt of all, the heart will find, The same stab struck its faith in human kind.

She freighted a thistle-down once with a wish, And gave to the breeze with her breath; The Fates were to hold its invisible leash And, if to be granted ere death, Bring back, at her will, to her out-reaching hand This wealth-laden embassy sent. Unheeding her will and its pleading command, Up, up toward the zenith it went, Till will, it would seem, at the last had controlled, When, earthward it came, like a fairy rigged sail— Came straight toward the hand that was eager to hold The zephyr-tossed feather, whose course should unveil What Destiny held, in the Future concealed— Life’s weightiest questions decide. Almost within grasp and it wavered and reeled, Then, mounting again the etherial tide, It floated—was lost in the depths of the blue. That thistle down, swayed by a pulse of the air, Had wrecked her heart’s hopes on the rocks of despair, As billows of ocean rich argosies strew.

Now listless and faithless she sits on the shore Where Time’s restless surge casts its wrack at her feet; She sees not the sunshine—hears only the roar Of dark, sullen waves as they ceaselessly beat. In Fate-ridden weakness she shrinks from all strife— Lets Destiny’s elves to her fancy repeat The early “decrees” that have shadowed her life— No effort essays that might wreak a defeat— Just waits for the stroke of pale Atropos’ knife.

A faith in the hidden controllings of FATE, Enchains, with its might, even Reason and Will: In wreakless inaction her devotees wait For the slow-turning grind of her mill—Let circumstance bind them with torturing gyves, Pass doors that would open to Industry’s keys And when, with his braided pangs, Poverty drives, Receive all his lashings as “Fortune’s decrees.”

E’en tho’ Opportunity’s latch-string is out, They, shelterless, wait for events to compel, And deem themselves goaded by Destiny’s knout While held in the toils of her mystical spell. Credulity, Sloth and their following throngs Forever are weaving entangling snares— ’Tis not till a victim is bound with their thongs, To thwart his endeavor that Destiny dares.

Bring WILL to the front—strike Destiny down, And throttle the Fate that would hinder success— You’ll find that dame Fortune will put off her frown And yield, for past sufferings, an ampleredress.

Just beyond the reach of thought, Just beyond the grasp of mind Is a sense of Presence—fraught With blessing—felt, yet undefined.

At times it seems a wondrous power— A strength, awaiting _Faith’s_ command— For trusting soul, a proffered dower, That’s held by Love’s omniscient hand.

Is it the gift, reserved of God For those whom Faith brings nearest Him?— The power that smote the rock?—the rod That rives the fountain’s brim, That all His thirsty souls may drink? “O, ye of little faith,” He cries— So many faithless Peters sink, _And the proffered power dies_.

When thou, O Death, art come to be the old man’s guest Who, bowed beneath the heavy weight of toil and years, So longeth for thy rest, Or to the weary mother, looking through her tears, To the bright celestial shore Where her loved have gone before, Then, truly, thou art blest.

To them the ties that bound are broken, all, And they will stretch glad hands of welcome unto thee Who comes to break their thrall— To slip the leash of weary life and set them free; They, impatient, wait release To pass the golden gates of Peace And gladly list thy call.

But, in Love’s young home, where Life is one bright, pulsing sea Of joy and hope, thy summons hath heart-breaking sound, Like cruel Fate’s decree; As tho’ alone, by stealth, she had thy gyves unbound, When thou hadst to this Eden crept And wrought, while guardian angels slept, What Envy’s dream might be.

We feel the surging depth of Sorrow’s stifled cry, Yet in thy presence, helpless, dumb with grief, we stand And silent question—Why?— Why budding life is frozen by thine icy hand, Why yielded to thy devastating claim Are all the loveliest of earth,— E’en God’s sweetest, dearest gift of birth— A mother-love, Which is for life’s most holy joys, the precious name.

While cloud-depths veil in gloom the steely form of truth, The heart, athrob with grief, still questions why:— Ah, why Love’s brightly burning flame Is ever smothered by thy breath,— Its altar, dark and cold, whereon dead ashes lie;— Oh! why are love, and hope, and youth, All left within thy grasp, O, Death?

Night-Blooming Cereus.

Birth of darkness! bloom of night! Bringing me such rare delight; Floating charm, thy rich perfume Stirs the lagging, weary brain, Hushes all the thoughts of gloom, Soothes or dulls the pangs of pain.

This floral wonder, glistening white, Scorning Day’s broad, glaring light, In the sacred stillness now Beams in beauty on my sight, As the star on evening’s brow Beams upon a moonless night.

Like a rainbow on the skies, Looked for, yet a glad surprise— Like a meteor’s flash and gleam Crossing midnight’s sullen gloom, Like the fairy forms of dream Is this wondrous, starry bloom.

Tell me lovely, mystic flower, Why you gem this gruesome hour? Were the jasper gates ajar? Did the Night, from angel’s crown, Pluck for us its brightest star, And cast the gleaming jewel down?

O, thou, pearly, radiant flower! Why give Night such wealth of dower? Why with anthers, dipped in gold, ’Round a carpel, rosy red, Wait in darkness to unfold, And thy queenly beauty spread?

Now a sentient presence seeming— Ah! it whispers, or I’m dreaming: “An evangel I’m to thee, With this message from the Past; How e’er full life’s joys may be, Like my bloom they may not last.

Throngs are gone—the voices stilled That once these halls with gladness filled; Here, with thee, I stand alone Where, before Night’s ebon throne, Silence holy, waits to bear From thy heart its inmost cry, Wrought into such fervent prayer As doth bring God’s presence nigh.”

She wanders on, at her sweet will, Thro’ gloomy vales or paths of pleasure, Nor asks the world if grave, or gay, Shall be her theme and measure.

She scorns the stilty, stiff Rondeau That artizans must fashion, But loves the brooklets romping flow And Nature’s gush of passion.

Tho’ common use has smoothly worn The Sonnet’s polished fetter, She wonders how its chains are borne When freedom’s range is better.

The triolet she never tries— She’d lose in such endeavor The glory of the sunset skies, The music of the river.

My muse is not a Hellenese With bright, Olympian halo, But that strong, helpful one, that feels The heart-throbs of her fellow.

She lifts me from the slough, Despond— Bids Nature hush my sighing By crooning for me sweetest song, While in her bosom lying.

The violets, the Spring first kissed, To us, are sweet as heather— We climb the hills, thro’ shining mist, In Autumn’s golden weather.

When, Lotus-drugged, Ambition sleeps, She whispers—“Come up higher”— Thro’ starry fields of azure deeps I’m led and feasted by her.

She breaks the locks which golden keys Could only open to me, And kindly joins her gift, with Art’s, Earth’s grandest views to show me.

While those who sing for fame and crown Must bide the Poet’s tether, Dear Muse and I will wander down Thro’ Freedom’s vale, together.

’Tis sweet to us, the path we tread— All Nature’s song is ours, Her wildest scenes, the stars o’erhead And all her fragrant flowers.

Ah, me! we never know What cold, wild winds may blow Across the springtime’s balmy promise, sweet— By what untimely frost The fruit germs may be lost, And rosy petals beaten down with sleet.

The eyes that glow tonight With childhood’s loving light, To-morrow may, with pallid lids be veiled— The bounding pulse be stilled, Life’s crimson current chilled, And rich, red lips with Death’s cold kisses paled.

We never know the fate So near, until too late; Tho’ oft the black-winged demon’s shadow falls In heavy gloom upon the heart— A thousand dreads upstart, Yet onward, all, until the shock appalls.

Warm love anticipates, With open arms awaits, ’Till hissing wires the stunning message brings. Oh, God! the wild despair That hushes e’en the voice of prayer, And makes the soul forget all offerings.

Such sudden, crushing grief! Hope, rising, scouts belief, But falls down, prone, before the sorrow-flashing wires. Hear Sympathy’s whispered tone, Oh, ye, who sit alone, With but the light of memory’s altar fires.

I stood in the flush of an evening in June When leafage and blossom and fragrance triune, Crown this, of the months, the most queenly and fair; The clover and roses had poured on the air A nectar I drank with enjoyment rare; Baptized in this flood of ecstatic delight My child eyes were blessed with miraculous sight.

Julia Carter Aldrich, writing under the pen name Petresia Peters, opens Hazel Bloom with a dedication that frames the entire collection: “To the Mothers—The Home-makers of our land.” The book’s first poem, “The Weaver,” immediately establishes a metaphor of textile craft for poetic creation, describing “the loom of thought” and “threads of fine spun gold.” This image recurs throughout, linking domestic labor with artistic making.

The collection’s 89 poems move between tightly rhymed quatrains and looser, more narrative passages. Aldrich often addresses a “you” directly, as in “Hill-Crest Home,” where she promises to “tell of my humble old home” but lets her pen wander into remembered landscapes. These shifts in address create an intimate, almost epistolary quality.

The Weaver’s Loom: Craft and Domestic Metaphor

The opening poem, “The Weaver,” sets a pattern for the collection: the speaker “besought / The thronging sprites, that feed the loom of thought” to gather “shining woof” from distant lands. This image of weaving—of gathering threads into a finished fabric—recurs in later poems. In “Hill-Crest Home,” Aldrich describes a “picture, you rave over there on the wall” as “weak by the one hung in memory’s hall,” contrasting art bound by “rules of perspective” with the mind’s free-ranging composition.

Other poems extend the metaphor. “Life’s Shuttle” likely plays on the same loom imagery, and “The Weaver” itself ends with a plea to the “dame whose tireless hand doth hold / The distaff.” These repeated references suggest that Aldrich saw poetic creation as a form of domestic craft, deliberate and patient.

Memory as Landscape: The Hill-Crest Home

“Hill-Crest Home” is the collection’s longest and most detailed poem. Aldrich reconstructs a childhood home through sensory specifics: “the river, that knit a bright edge on the farm,” “the song of the stream,” and “a shadowy nook / With a rustic root-bench.” The poem’s structure mimics memory’s digressions—she promises to describe the house but spends lines on “the ravishment held in the notes of a thrush” and “the sun-gleams, aflash in the dew-spangled glen.”

The language is precise: “a gauzy, white chrisom cloth lightly it lies / O’er the rosy-faced morning.” Aldrich uses compound adjectives (“love-lighted beauty,” “wind-warring tree”) and enjambment to create a flowing, unhurried pace. The poem ends with a direct address to the reader, “Come, stand ’neath that maple with me,” reinforcing the sense of shared recollection.

Motherhood and the Divine Feminine

The dedicatory poem by B. F. Aldrich frames motherhood as a revelation of the divine: “Through her the first of Heavenly love is shown— / Through her, first glimpses caught of Christ, of God.” Julia Carter Aldrich’s own poems return to this theme. In the untitled poem beginning “There’s naught in God’s infinitude,” she calls motherhood “the crowning gift of woman’s life” and describes how it “transmute[s] to dear delight / Each humble task.”

This is not abstract praise. Aldrich grounds the ideal in concrete experience: “home and wife, / And happy, blessed motherhood” are “gifts” that “keep home’s sacred altar bright / With love’s sweet offerings there.” The poem “Mother” (appearing twice in the index) likely continues this thread. The collection’s title, Hazel Bloom, may itself refer to a child or a flowering of maternal love.

Formal Range: From Rondeaux to Narrative Verse

Aldrich experiments with several poetic forms. The index lists “Rondeaux,” a fixed form with a refrain, and “Endymion,” a classical subject. “Night-Blooming Cereus” suggests a poem about a flower that opens at night, perhaps using the plant as a metaphor for delayed revelation. Other titles like “For Insomnia” and “Questionings” indicate a personal, reflective mode.

The majority of poems use regular rhyme and meter, often iambic tetrameter or pentameter. But Aldrich varies line length for effect: in “Hill-Crest Home,” short lines like “Bright fern fringes bordered its soft rug of moss” give way to longer, more conversational passages. This formal flexibility keeps the collection from becoming monotonous, even as it maintains a consistent lyrical voice.

Readers approaching Hazel Bloom will find a poet who values precision over ornament. Aldrich’s diction is concrete—she names flowers, birds, and household objects—and her syntax often mirrors speech. The collection rewards attention to its recurring images: looms, threads, homes, and landscapes that blur the line between memory and imagination. Because the excerpts are incomplete, the full arc of the book—whether it moves toward consolation, doubt, or affirmation—remains to be discovered.

I’ve shelved Hazel Bloom for decades, and its quiet longing still hums near the spine. Years later, leafing through Sketches of Southern life — Edition Insights, I felt that same hush—a porch-lit patience, the weight of memory tucked into everyday rooms. They keep each other company on my desk now, two old friends who never once raise their voices.

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    Jacqueline Burns - 1 month ago
    Hazel Bloom is a beautifully crafted story about personal growth and the quiet strength of nature. The author's vivid descriptions of the blooming landscapes mirror the protagonist's journey, making every page feel like a breath of fresh air. The characters are deeply relatable, and the emotional depth of the narrative leaves a lasting impression. I couldn't put it down and felt completely immersed in Hazel's world. A truly uplifting and heartfelt read that I highly recommend.

  • ...
    George Blanchard - 1 month ago
    Hazel Bloom is a pleasant read with a charming setting and a likeable protagonist. The author's writing style is smooth and the theme of renewal is nicely explored. However, the plot develops slowly in the middle, and some supporting characters feel underdeveloped. If you enjoy character-driven stories with a peaceful, nature-centric vibe, you'll like it, but it may not be for those seeking a fast-paced narrative.

  • ...
    Joshua Murphy - 2 weeks ago
    Hazel Bloom had an interesting premise but fell short for me. The pacing was extremely slow, and I struggled to stay engaged. The protagonist's internal monologue became repetitive, and the plot lacked direction. While the nature descriptions were pretty, they couldn't make up for the lack of actual story progression. I wanted to like it, but it felt more like a chore to finish than an enjoyable escape.


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